viernes, 21 de octubre de 2016

What’s the Link Between Doctor Strange and The Beatles — and What Does Paul McCartney Have to Do with It?
What’s the Link Between Doctor Strange and The Beatles — and What Does Paul McCartney Have to Do with It?


Now that’s one magical mystery tour.

Doctor Strange and The Beatles may seem like strange bedfellows, but there’s actually a curious, fortuitous connection between them.

On Thursday, at the Hollywood premiere of the mystical superhero film based on the cult Marvel comic book, composer Michael Giacchino (you might know his music from The Incredibles and Ratatouille) chatted with PEOPLE about creating the score for it. That score, he says, was actually recorded at London’s vaunted Abbey Road Studios — the legendary venue where The Beatles laid the tracks to their most iconic albums and singles.

There was, however, another magical twist: During one particular day, while recording the music to the Benedict Cumberbatch-headlined film, which opens Nov. 4, Giacchino discovered that there were two special visitors at the studio.

“When we got to Abbey Road one day, there were all these security guards around, and I’m like, ‘What is going on here? What’s happening?’ ” the tunesmith recalls. “And they said, ‘Oh, Paul [McCartney] and Ringo [Starr] are in there doing PR for the Ron Howard film that they just put out.”

That film was the well-received Beatles documentary Eight Days a Week. And, as it happens, Giacchino knew McCartney.

“I was like, ‘Oh, that’s great,’ ” he explains. “I had worked with Paul McCartney on a project, a little while back. So I just sent them a note. I said, ‘Hey, I’m next door. If you have a chance, come by.’ ”

The legendary musician was happy to oblige.

“So, he came by, and the director, Scott Derrickson, is this huge, huge, huge Beatles fan. He couldn’t believe it.”

The visit turned out to be a prescient one: Giacchino happened to be working on a track that he says actually echoed The Beatles’ distinct sound.

“Paul came in while we were recording this cue that sounded like it literally could have come off of one of their albums, that was recorded in that building, all those years ago,” he says. “And Paul leans over, and he goes, ‘This has got shades of ‘Walrus’ in it,’ ” — name-checking the band’s trippy 1967 thumper “I Am the Walrus.”

That moment, Giacchino muses, “will be forever one of my favorite things.”

“He’s obviously the best songwriter and musician we’ve ever known,” the composer says, “and to have him be there, that was kind of cool.”

The guy on the very left with the stripy sweater is Michael Giacchino.

jueves, 20 de octubre de 2016

Paul McCartney Backs Campaign to Save Grassroots Music Venues in U.K.
Paul McCartney Backs Campaign to Save Grassroots Music Venues in U.K.
by Richard Smirke

The Beatles performs at the Cavern Club on Aug. 22, 1962
Michael Ochs Archives/Getty Images

"If we don't support live music at this level, then the future of music in general is in danger,” the rock legend says.

As a teenager growing up in Liverpool he honed his live skills in the city’s small and sweaty pubs and music venues, most famously The Cavern Club. Now Sir Paul McCartney is backing a campaign to protect the dwindling number of grassroots music venues throughout the United Kingdom. 

"I've been lucky enough to play in venues of all different shapes and sizes, from tiny clubs to massive stadiums all over the world. Without the grassroots clubs, pubs and music venues my career could have been very different,” said McCartney, pledging his support to the Music Venue Trust’s #FIGHTBACK campaign.  

“Artists need places to start out, develop and work on their craft and small venues have been the cornerstone for this. If we don't support live music at this level, then the future of music in general is in danger,” the former Beatle went on to say.

Image result for paul mccartney

Yesterday, almost 500 delegates attended the third annual Venues Day conference at London’s Roundhouse venue, which saw executives from across the industry address some of the threats to Britain’s once-thriving live scene. In London the problem is particularly acute, with the U.K. capital having lost 35 percent of its small and grassroots music spaces since 2007 due to a combination of rising rents and licensing restrictions. 

Numbered among the famous central London venues that have closed in that time is the Marquee, Astoria, 12 Bar Club and Madame Jojos, while The 100 Club, which played host to early gigs by The Rolling Stones and Sex Pistols and saw Paul McCartney play an intimate lunchtime gig in 2010, was only saved from extinction after signing a sponsorship deal with Converse in 2011.

More recently, legendary dance club Fabric had its license revoked by Islington council following the drug-related deaths of two 18-year-olds earlier this summer. 

An appeal hearing to decide the fate of Fabric has been scheduled for Nov. 28 at Highbury Magistrates Court. The venue’s #saveourculture fund raising campaign has generated almost £300,000 ($368,000).

Further support for London’s world famous cultural heritage has come from London mayor Sadiq Khan, who last month pledged to introduce greater protection for venue owners by establishing the ‘Agent of Change’ principle, a regulation that puts the onus on property developers to mitigate against noise complaints from existing venues or businesses.  

In 2014, world-renowned London nightclub Ministry of Sound successfully applied the Agent of Change principle after a long-running dispute with developers wanting to build of an apartment block opposite the club. In that instance, pursuing the legal case and protecting the venue's future took over four years and over £1 million ($1.5 million), costs that are prohibitive to the majority of venue operators.

“Too many venues have been lost in recent years and those that survive are under unprecedented pressure from unscrupulous developers, with little protection offered to them by the government, be it national or local,” said J Willgoose, Esq. of British indie band Public Service Broadcasting, who played at last night’s #FIGHTBACK concert at The Roundhouse.

“We are facing a genuine cultural crisis, as well as a serious threat to the music industry in the UK -- a huge British export,” added Everything Everything’s Jeremy Pritchard in a statement. “Already we hear the cry that there are too few festival headliners rising through the ranks. This is directly connected to the worrying trend of invaluable but highly vulnerable local gigs going for good.”

miércoles, 19 de octubre de 2016

Ringo Starr: The Music videos

Image result for ringo starr videos
Ringo Starr: Music videos
Posted by Roger Stormo
Wednesday, October 19, 2016

Some of Ringo's music videos are here.
This is the final chapter: Ringo’s promotional videos. For some, the less interesting but still great to watch and collect. See also the other articles on the subject of music (or promotional) videos by Mike Carrera:

To date no official or bootleg label has released the ultimate Ringo video compilation, but good efforts have been made by some underground labels (not all in the best possible quality), but they're all missing many versions and videos. Some "video collection" compilations out there add clips from concerts and TV shows to fill in, but these are not actual promos.

On the official side we only have one release: "Photograph: The Best of Ringo Starr" from 2007.
The problem with those videos is that the original audio of many of them were replaced by the commercial remastered versions, erasing the original mixes, and the bootleg labels have copied exactly THAT version  because of the high visual quality. Sometimes the videos also differ from the original versions and the bootleg makers or few fans haven’t noticed.

This is a humble research of all available Ringo official videos, including the alternate versions and variations, many of them uncirculated or unbootlegged to date, as well a few revelations and stories TOLD and published FOR THE FIRST TIME. Any corrections/mistake reports are so welcome.

For the spelling mistakes, I apologize, English is not my native language. Youtube links are illustrative only, not the researched sources.

Mike Carrera


Sentimental Journey 

Sentimental Journey
Directed by Neil Aspinall. Filmed at The Talk of The Town nightclub, London March 15, 1970 . First broadcast on "Frost on Sunday" March 29, 1970.

The original film audio mix features a pre-recorded live vocal performance over a mono mix for the backing track cut two days before at EMI Studio three (it’s not live directly on the video, Ringo’s vocal sometimes don’t synch and the recording at the end has applauses and more Ringo chat and on the video NOBODY is clapping!). Sadly when it was released on the official DVD “Photograph: The Best of Ringo Starr”, this unique audio was replaced by the commercial LP/CD version. This was copied over and over on many bootleg compilations, instead of the original. The best visual quality though, is in this 2007 release.
Very odd but the remastered video version with the correct alternate audio is available on the official VEVO and EMI youtube channel:


It Don’t Come Easy- Version #1 

It Don't Come Easy, Version #1.
Directed by Ringo Starr.

Although reported as "filmed" at Ringo’s Sunny Heights house in Weybridge, Surrey, a closer look reveals that contains footage from at least 3 different years, from late 1968 or early 1969, 1970 and 1971, since there are at least four different looks from Ringo over the video: scenes with beard and without, longest and shorter hair, moustache ("Candy" era) etc, plus also more home movies that could come from his other two homes (and also from Sunny Heights) from 1968 and 1969 : Brookfields, Elstead also in Surrey; and Roundhill, Highgate. Also, by 1971, Sunny Heights wasn’t even one of his properties, he and his family left that home by the end of 1968 and it was sold by 1969, so he couldn’t be filmed there in 1971.

So, we can assure that Version #1 was not "filmed" specifically to make a video (at least not in full), but consists of a compilation of  home movies and other footage from many years and was put together  in form of a video to be broadcast on Top of The Pops 22 April, 1971.

The original audio mix for Version #1 runs faster and for that reason, the video is shorter in time (only 2:46 vs 2:59 on the other two versions or the commercial version). This very same mix was duplicated (using the remastered audio) on the official DVD release “Photograph: The Best of Ringo Starr” from 2007.

It Don’t Come Easy- Version #2 
It Don’t Come Easy- Version #3

Versions 2 & 3 filmed in Norway.
Directed by Michael Hurll.

Version 2  and 3 were filmed in Norway April  27, 1971 while he was taping the "Cilla in Scandinavia" TV special (broadcast 27 Nov, 1971).

WogBlog: Ringo in Norway

None of these two versions were filmed for the "Cilla" special, which included a different performance of this song backed with an orchestra (uncirculated) and also (in circulation), a rendition of "The Snowman Song" with Cilla doing all the singing (the live vocal was substituted with a different recording by Cilla, so we can’t hear Ringo’s voice).

Version #2 was broadcast on “Top of The Pops” 29 April, only two days after it was filmed, which sounds very odd, giving not so much time for editing, but the editor David Spence did a great job if in fact he only had one day to do it.

Some authors report that there were actually two tapings, one in April 27 for "Top of The Pops" and for the "Cilla" special was June 24,  which is incorrect, a closer look at the available materials shows Ringo wearing the very same outfit: coat, gloves, winter hat and sweater, too much coincidence or it was the only snow clothes he had? His beard and hair are also the same length.

Ringo started filming "Blindman" in Rome June 17, and spent the next days in Italy and Spain, it’s doubtful if he would have had the time to leave the set and go to Scandinavia for one day and more important: Ringo’s length of beard is different from the available video of "Cilla" (according to those authors, filmed June 24) and the Blindman look;  authors like Bill Harry or Keith Badman (After The Breakup) say that he was in Scandinavia June 24  -while others even add "Stockholm" - shooting the Cilla Black Special doing a live version of "It Don’t Come Easy" and “singing” with Cilla and a puppet fox  "The Snowman Song", but if you look closely, Ringo is wearing the very same outfit from top to toes as from the April 24 shooting and also, if you compare the available video and pictures from the "Blindman" shooting days and film, his beard is way longer. So, IF he was doing some additional work between takes of the Blindman film and flew one day to Stockholm, well, he did something different, not the "Cilla" Special! Maybe that uncirculated “live” version of "It Don’t Come Easy", backed with an orchestra?  .

Version #2 and #3 were re-broadcast many times over the years on the BBC, they could look the very same but they aren’t.

The differences between the two occur at:

00:42- 00:44
01:43- 01:47
01:50- 02:06
02:32- 02:37
02:52- 02:54

Showing completely different scenes of Ringo or people skiing from one version to the other.
None of these two versions appear on the official DVD “Photograph: The Very Best of Ringo Starr”.

Version #3 hasn’t been included on any bootleg compilation to date.


Back Off Boogaloo- Version #1
Back Off Boogaloo- Version #2

Directed by Ringo with the help of Caravel Films, although the original credits always mention Tom Taylor as the director, but the liner notes and DVD credits for the official release “Photograph: The Beast of Ringo Starr” only shows Ringo Starr as director. Alan Tavener was the cameraman.
Filmed on March 20, 1972 at Tittenhurst Park, Ascot, while he was staying in John’s mansion (Ringo bought it later, September 18, 1973).

The only differences between the two occurs over the intro and finale: Version #1 starts with a shoot of a “Back to Mono” button over Ringo’s coat, while Version #2, released on the official DVD “Photograph: The Best of Ringo Starr” starts with outtake footage from the film Born to Boogie, filmed the same week and same location. The finale also on this second version is cut prematurely while on Version #1 we can see Ringo and Frankenstein passing in front of the camera after the song ended.

This second version was copied over and over on many recent bootleg compilations, instead of the original.

Here is Version #2:



Apparently also directed by Michael Hurll for "Top of The Pops", and filmed at his new property in Tittenhurst Park, Ascot and also using brief non-Ringo footage from the BBC archives, like a scene of  Davie Bowie at backstage during his 1973 UK tour in Bournemouth, 25 May, shown on "Nationwide News" June 5, 1973. This is not the time Ringo was with Bowie in his dressing room (June 3 at the Hammersmith Odeon, video footage that exist).

Broadcast 1 Nov 1973 on "Top of The Pops". One of those “lost” videos, it wasn’t even included on the official DVD “Photograph: The Best of Ringo Starr”, but was recently recovered from the TOTP raw archives, with a total duration of 3:14, although the BBC master keeps rolling with a black screen and the song continues until 3:34 (remember, it’s a raw tape).

A fake video uploaded on youtube that runs the full length of the song, simply edits back some of the scenes. Be aware of that version floating around.

This is the raw original version:


Only You 

Only You.
Directed by Stanley Dorfman. Filmed in Los Angeles, CA, at the top of the Capitol Records tower with Harry Nilsson by his side.


Hey Baby (Audio Variation A)
Hey Baby (Audio Variation B)

Filmed in Hamburg on August 6.  The original audio used for this video is an alternate Rough Mix. Although it cuts 30 seconds out of the released version from 01:39 to 02:11, it has the full warm-up intro and count in and the end is not only longer than the released version but also different during the final seconds, and also lacks of some instruments (a trumpet during the final, for example, that can be heard on the commercial version from 02:41  to 02:45).

Audio Variation A starts directly with the count-in and it runs 02:46.

Audio Variation B features pre count-in warm-up audio (over the slate). Running time of the video is also 02:46 but if we count only the audio length over the slate with the full unedited intro, it runs 02:51.

The official studio version runs 03:06.

The video is the very same on the two versions except for the slates: Variation A starts with a countdown starting from 8 to 2 and goes directly with the song, while Variation B starts with a different countdown picture, starting from 10 until 3 and after that, the slate appears with the title “Ringo Starr /RS 194/Hey Baby”.

This video was omitted from the official DVD release “Photograph: The Best of Ringo Starr”.

Here is a sample of Audio Variation B:

You Don’t Know Me At All #1 (Variation A)
You Don’t Know Me At All #2 (Variation B)

Filmed in Monte Carlo and Hamburg.

A countdown “slate” for Version A is available and features between numbers 8 and 7, a glimpse from a vintage photo of a woman (or a doll?).

The only difference between the two versions is the intro on Variation B that has a translucent title: “Ringo Starr /You Don’t Know Me” that fades out  while the song is starting, maybe to tell the watcher that the bald guy who will later appear is no other than Ringo the ex Beatle. This is the rarest version to get.

This video was omitted from the official DVD release “Photograph: The Best of Ringo Starr”.
A sample of Variation B:

I’ll Still Love You

Filmed at the Schloss Hotel, Tremsbüttel, outside Hamburg in the West Germany on August 8, 1976.
The slate is labeled as “I Still Love You”.

This video was omitted from the official DVD release “Photograph: The Best of Ringo Starr”.


Drowning in the Sea of Love

A countdown “slate” is available and features between numbers 8 and 7, a glimpse of a vintage picture of a woman (or a doll), the same from the "You Don’t Know Me At All" video, but in a different pose.

This video was omitted from the official DVD release “Photograph: The Best of Ringo Starr”.



Filmed in Monaco, Directed by Christian Topps. Girlfriend Nancy Andrews appear.
A countdown “slate” is available and this time, does not feature any picture of any woman.
This video was omitted from the official DVD release “Photograph: The Best of Ringo Starr”.

You’re Sixteen (1973 audio edit)

The original audio for this video features an undocumented alternate edit, and although this video was released on the official DVD “Photograph: The Best of Ringo Starr”  it does not contains the original audio mix.

This “video” was originally created as part of the “Ognir Rrats” or “Ringo” TV Special from 1978, a mixture of animated and real scenes of Ringo and Carrie Fisher.

Also, the audio was re-recorded in 1978 and features a duet between Ringo and Carrie. This is the well known version, and we are not talking about this “alternate audio”.

The original video from that TV show was used to create a separate promotional clip, but instead of having the re-recorded audio from 78, a new edit from the original track from 1973 was prepared.

Lasting only two minutes to match with the original film, this alternate edit starts with the second verse: “You're all ribbons and curls”, while the original track starts with “You come on like a dream”, so the full first verse was erased and also near the end this line of “You're sixteen, so beautiful, and you're mine” was also edited out.

This is the original audio edit:

When it was released on the official DVD, they didn’t bother to include this audio edit, but instead they just put the original track from start and until it reached the 2 minute mark. Like this:

And this is the 1978 audio track:


Stop and take the time to Smell The Roses

Or “Stop and Smell the Roses” as the slate says. Directed by Keefco. First part was filmed in Tittenhurst Park, Ascot while the second at the Egham Aerodrome in Surrey between September 16 and 17, 1981, filming at the same time the “Wrack My Brain” video. Wife Barbara makes a cameo.
This video was omitted from the official DVD release “Photograph: The Best of Ringo Starr”.

Wrack My Brain (Variation A)
Wrack My Brain (Variation B)

Another Harrison composition, another Ringo video. Filmed in part at the Egham Aerodrome between September 16 and 17, and also in a London location on September 18.
Wife Barbara makes a cameo as well. The same video is available with two variations.

Variation A shows the title “RINGO STARR ‘RACK MY BRAIN” at the 15 seconds of start.

Variation B digitally “erases” this title although we can still see a distorted spot where they tried to erase it. This is the most common version available on bootleg compilations.

This video was omitted from the official DVD release “Photograph: The Best of Ringo Starr” and is incomplete on youtube and all video channels on the web (missing all the introduction, when Ringo awakes and walks towards the Haunted House)

Link to the incomplete video:


Private Property

Directed by Kevin Godley and Lol Creme. Extracted from the MPL short film "The Cooler" (with three songs as part of the story: "Private Property", "Attention" and "Sure To Fall"), this was the only song also released as a separate promotional video.

This clip was omitted from the official DVD release “Photograph: The Best of Ringo Starr”.


It Don’t Come Easy (live) #1 (Long Version)
It Don’t Come Easy (live) #2 (Short Version)

Filmed at Greek Theatre, Los Angeles, CA Sep 3, 1989. Video clip created for promotion of the home video release (VHS/Laser Disc) for the first All Star Band in 1990, it features over the intro, still pictures from all the members of the band (different from the home video release) while the rest is taken directly from the live film. The only difference between the two versions is the end, one has a full “What’s my Name?” joke and the other doesn’t.

There are no links to see this actual promo on the web.


Weight of The World #1 (Long Version)
Weight of The World #2 (Short Version)

Directed by Jonathan Dayton and Valerie Faris. Filmed at the Variety Arts Center in Los Angeles, CA.
Joe Walsh and two members of the group Jellyfish: Roger Joseph Manning and Andy Sturmer also appear.
Long version has an introduction for the “Summer’92” All Star Band Tour members and last 4:15, while short version omits this intro and lasts only 3:49.

This video was omitted from the official DVD release “Photograph: The Best of Ringo Starr”.

Don’t Go Where The Road Don’t Go 

Directed by Stanley Dorfman, features soundcheck footage and live shots mostly from Montreux Jazz Festival, Switzerland on July 13, 1992 and  Liverpool, England July 6, 1992.

This video was omitted from the official DVD release “Photograph: The Best of Ringo Starr”.


La De Da #1 (Regular Version)
La De Da #2 (W/O Noose Version)
La De Da #3 (Short Version) 

Directed by Nancy Bennett, filmed mostly in Time Square, New York. Features cameos from wife Barbara and daughter Lee Starkey, Mark Hudson and the Roundheads  and even the boy-band Hanson. Also footage of Paul McCartney during the recording sessions.

The only difference between Version #1 and #2 is the aspect ratio. #1 has a simulated widescreen view (in a 4:3 format) with black bars on top and bottom, while #2 (named “W/O” or “Without Noose”) is a real widescreen 16:9 and no black bars.

The audio on both versions is a 4:07 edit, while the commercial version runs around 5:40.
Version #3 is the shortest lasting only 2:11 and was broadcast in a few countries in Europe and Japan. It cuts out a few verses during the middle and goes directly with the sing-along coda. The edit occurs at 1:05 and goes directly with the scene where Paul appears.

Second and third versions are the rarest and never seen on bootleg video compilations to date.

This video was omitted from the official DVD release “Photograph: The Best of Ringo Starr”.


Yellow Submarine (live)
With A Little Help from my Friends (Live)

Two videos created to promote the official Anthology of the All Star Band CD and DVD release, using footage from all incarnations of the band from 1989 to 1999.


Never Without You 

Never Without You CD single.
Ringo’s tribute to George Harrison. Directed by Brent Carpenter. The audio for this music video features a different mix, staring with the sound of girls screaming and also lasting only 4:30, while the commercial version is 5:19. Also different from the Promo CD  Radio Edit (4:15).
This video was omitted from the official DVD release “Photograph: The Best of Ringo Starr” but was included on the “Ringo Rama Deluxe Edition” 2CD/1DVD.

The deleted DeLuxe edition of "Ringo Rama" featured the "Never Without You" promo on a DVD disc.


Fading in Fading Out #1 (Variation A)
Fading in Fading Out #2 (Variation B)

Directed by Brent Carpenter using footage from the Choose Love sessions.  Variation A has the title of the song over the intro, while Variation B is clean; also the end is complete on first variation when we can see Ringo turning off the camera while the second version fades out earlier. The audio mix is also different from the commercial version.

This video was omitted from the official DVD release “Photograph: The Best of Ringo Starr”.


Liverpool 8

Co-directed by Seth Dalton and Dave Stewart, the video features footage from The Beatles and pictures from Ringo’s collection, footage from Liverpool’s soccer team and also appearance from  Dave Stewart. This is also a unique video edit of the musical track.
Commercial version runs 4:51, Radio edit is 3:59 and this video edit is 4:33.

Although footage from the 2010 ‘Y NOT’ sessions exists, no promotional video was created or distributed.



Directed by Jem Gerrard, winner of the contest to create a video for the song.

Think it Over

The song was recorded in 2011 for the Buddy Holly tribute CD ‘Listen To Me’ and also included on his ‘Ringo 2012’ CD. A partial video was included on the making of documentary DVD for the same ‘2012’ disc, and later released in full as a “promotional video”, also appears on the official DVD release of ‘Buddy Holly: Listen To Me,  The Ultimate Buddy Party’ in 2012.


Postcards from Paradise

Directed by Willie Witte. A combination of animation and some concert footage filmed at the Ryman July 7, 2012.



Marc Bolan & T. Rex: Children of the Revolution 

More songs from the ‘Born to Boogie’ film features Ringo, but the only song also released as a "video clip" was this.


Ron Wood & The New Barbarians: Buried Alive

Recorded  in April, this live promo video was later broadcasted on the Midnight Special TV Show on June 8, 1979, thus many people thinks it comes from this show.
Also, a second song with Ringo on drums was recorded (Seven Days), but the video only features Ron Wood playing all the instruments.


Artists United Against Apartheid: Sun City

Directed by Jonathan Demme, Hart Perry, Godley & Creme.

A super group was reunited by Steven Van Zandt to help South Africa, and features Ringo and son Zack playing the drums (footage from the recording session was included on the video). Also appearances from Pete Townshend (The Who), Bono (U2), David Ruffin (The Temptations), Bruce Springsteen, Lou Reed, Bob Dylan, Peter Gabriel, Clarence Clemons among others.

The Singing Rebel’s Band: Freedom (Promo Version)

Directed by Dick Clement for Handmade films, produced by Harrison for the film ‘Water’.
Billy Connolly (vocals), Chris Tummings (vocals), The Singing Rebels Band: George Harrison (guitar, backing vocals), Ringo Starr (drums), Eric Clapton (guitar, backing vocals), Chris Stainton (bass), Ray Cooper (drums), Jon Lord (keyboards), Mike Moran (keyboards), Jenny Bogle and Anastasia Rodriguez (backing vocals).

The actual promo video for this song is available in regular quality and unbootlegged to date and consist of the same “performance” from the film and a mixture of many scenes from the movie, but the audio over the intro is clean and slightly different, when in the film we can see and hear an actor saying “My God, it's The Concert for Cascara!” (a parody for ‘The Concert For Bangladesh’). Also, actor Fred Gwynne (Herman from The Munsters) who also appears on the “Water” film, can be seen in this version saying “Gentlemen, We’re in the water business” .

Freedom (Film Version 1)
Freedom (Film Version 2)

The common version on bootleg compilations over the years is taken directly from the film Version #1. And when it was re-released on DVD in 2010, a new cut was made including some alternate scenes (an exclusive Harrison/Clapton scene for example), we will call that Film Version #2, cut in Widesceen from the original film tapes adding even more picture on the sides that is not available in the original print that let us see a few more Harrison (and many other members of the band, like Clapton) shots. These two versions are not promotional videos, but worth mentioning.


Tom Petty: I Won’t Back Down

Directed by David Leland. The backing band consisted of Jeff Lynne on bass, George Harrison on acoustic guitar, Mike Campbell on lead guitar, and Ringo Starr on drums.
Almost replicating the same personnel from the studio recording, except for Ringo that didn’t play but Phil Jones.

Gentlemen Without Weapons: Spirit Of The Forest

Another charity super-star video to save the rainforest. Directed by Storm Thorgerson, with participation from Ringo (singing this time), Brian Wilson, Richard Page, David Gilmour, Bonnie Raitt, Olivia Newton-John, Donna Summer, Debbie Harry, Kate Bush, among others.

Buck Owens: Act Naturally 

Directed by George Bloom. This video was also included on the official DVD release “Photograph: The Best of Ringo Starr”. Behind the scenes footage is also in circulation.

 Jan Hammer: Too Much to Lose

The video features the participation of Ringo Starr, David Gilmour and Jeff Beck, although they didn’t play on the studio recording.


John Lennon Tribute: I Call Your Name 

Not really a musical video, but this was Ringo’s contribution for the Lennon tribute. Features half of the Wilburys (Jeff Lynne, Tom Petty and Jim Keltner) and Joe Walsh.


Nils Lofgren: Valentine

A member of the All Star Band, this video features Ringo on drums as well Bruce Springsteen on vocals and comes from the album “Silver Lining”.


RADD- Drive My Car #1
RADD- Drive My Car #2

Two different versions (one features the ‘rap’ stars and the other don’t). Paul McCartney, Julian Lennon and Ringo Starr, among many others appear during this campaign to drive responsibly.


Hurricane Relief

Tears in Heaven Version #1
Tears in Heaven Version #2

Another charity single. Directed by Marcus Raboy. Ringo plays drums on the recording and makes a cameo on the video, along with: Elton John, Rod Stewart, Phil Collins, Slash, Ozzy Osbourne, Pink, Gewn Stefani, Steven Tayler, etc.
Both versions have different footage from all the artists, some are most notable than others.
Version 1: Ringo is sitting on his drum kit receiving a blue brick (a symbolic way the musicians contribute to the rebuild what the tsunami in southeast Asia destroyed), and in a different scene, he’s passing that brick to another person. He also appear playing the drums in a shoot from his actual recording. A picture of him holding the blue brick is also near the end of this version.

Version 2 features a different scene of Ringo receiving the brick, and when he’s passing it to another person the scene is more brief, contrary to Version #1 when we can see his face. There are no more Ringo scenes or picture in this second version.


Peter Kay’s Animated All Star Band: Children in Need Medley.

The English comedian Peter Kay reunited the original actors and celebrities that have given his voices to children TV shows and cartoons over the years, from different companies that agreed to lend the copyrights so the characters could appear all together in an animated video. Ringo is mistaken as  “Thomas the Tank Engine”, when in fact he was the narrator from the first two seasons. And for this recording and video, he’s NOT providing the voice of Thomas (as many have written), he’s in fact only singing one line: “Can you Feel it!” from 00:45 to 00:46  (yep, that’s all!), but not as the Thomas character, we simply hear his voice while there are more characters on screen at this time.
The medley of songs consist of: “Can You Feel It”,  “Don’t Stop”, “Jai Ho (You are My Destiny)”, “Tubthumping”, “Never Forget”, “Hey Jude” and “One Day Like This”.


Ringo Starr and All Stars for United Nations: Now the Time Has Come

A new song released on the International Day of Peace, Sept 21, Co-written with producer Bruce Sugar with verses sung by Richard Page, Colin Hay and Billy Valentine and backing vocals from many others, who also appear on the video.

An “alternate” version with a verse sung in Spanish by Colombian singer Fonseca is also available, but the video does not features any of the artists.

With a Little Help from his Friend: (more info, check the separate reviews)

Ringo appears on the following Paul McCartney official promo videos:

-Take it Away
-So Bad
-No More Lonely Nights
-Beautiful Night
-Nod Your Head

Ringo appears on the following George Harrison official promo videos:

-When We Was Fab
-Living in the Material World (2006)

Official videos from other artists. Ringo plays on the tracks but does not make any video cameo.


Liam Lynch: Try Me.

Ringo plays drums on the song but is not present on the official video.

Fake Videos circulating:

-Harry Nilsson:
Fake videos circulating for the songs:  “You’re Breaking my Heart” and “Spaceman”.
These are very good fan-created youtube videos using footage from the actual ‘Son of Schmilsson’ sessions, taken from the unreleased documentary “Did Somebody Drop His Mouse?” with Ringo Starr footage on it, sadly they are NOT official videos even when they are on a few bootleg compilations.
Plus another two fake videos: “At my Front Door” and “Daybreak”, using footage from the film ‘Son of Dracula, also with Ringo Starr. Do not be confused, no official videos for those four songs were ever made.

Guthrie Thomas: Band of steel
Another youtube fake video using photographs from the sessions. Ringo plays on the song but there is no official video.

Non musical videos:
Frequently included on bootleg video compilations, clips from TV Shows or films or concerts that are not official videos, like:
-The Snowman Song (Cilla special, 1971)
-The No No Song (Smothers Brothers, UK 1975)
-Nonsense (Alice in Wonderland, UK 1985)
-Songs from the Carl Perkins special (USA, 1985)
-Songs from the Prince’s Trust concert (UK, 1987)
Etc, etc

Image result for ringo starr videos

Image result for ringo starr videos

Image result for ringo starr videos